Nines asked for pictures of laundry rooms, so here's mine. It's just inside the back door, which is off to the left. It's built into part of the back verandah, and I never do laundry without feeling grateful. For many years I had to haul all the washing downstairs to a set of concrete sinks, with the washer installed on a high concrete slab. That made it taller, and I couldn't even reach the bottom of the bowl; I had to sort of jump in and swipe things out. That was a lot of fun. It was just bare dirt, and if things fell down they got filthy. I hated it! Most highset Queensland houses still have the laundry downstairs, even new ones.

I worked on DH for 15 years before I got my washer installed upstairs, and he fought bitterly. He thought it was a silly idea. But he has had to agree that it was the best thing we ever did, besides moving the toilet upstairs. That happened within weeks of buying the house; no way was I going downstairs in the middle of the night. I was adamant.

Other piccies are a Flying Geese quilt I made a while ago. It's flannel, and very snuggly. It was so simple to make and finish, I feel drawn to do something with quite large pieces and graphic impact. Might start work on something similar...

And the picture of arches in one that I took when Meredith and I were in Port Adelaide last year. We drove under the railway bridge and the view was so impressive I made Meredith drive around the block and park on the side of the road while I ran under the bridge and took some photos. The passing traffic thought I was nuts, but the perspective was intruiging.

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I ask you, is this the proper use of a treadmill? All the cats take turns sleeping on it, and I hate to say that I haven't turfed them off once in the last week. And what is my laptop doing there? I've obviously been distracted. Time to clean up and concentrate on putting things to rights around here.

We're having cooler weather thank heavens, so it's much more pleasant to work during the day. On the weekend we'll be working on the room downstairs, so I 'm trying to finish off a few sewing projects before then. Or at least get them organised so that I will know what I was doing when I finally get back to them.

The blue quilt is one of that I bound the other day. It is also a colour sampler, using a block that I have seen called Rabbit Foot, but I'm sure there are other names for it too. Its a nice simple block to try out the technique.

I love blue and green together, it's one of my favourite colour combinations. When I was home in South Australia I had to stop and take photos of the scenery; blue skies and green crops, with the darker blue line of the Flinders Ranges between.

Meredith spent years living on a farm, and I used to love driving out to her place. Once I irritated everyone in the car by singing John Denver all the way; 'Thank God I'm a Country Boy" but I substituted 'girl' of course. Mum said, in an effort to shut me up, "You were born in the city, not the country'. Maybe, but in my heart I'm a country girl.

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10 oct 06

That's three quilts bound and finished. I'm working on a way to hang them up and take photos, so should be full piccies later on. I'm sure these quilts had five sides and five corners! It seemed like I was never going to get back to where I started on each one; I just hate it when you think you're on the last side and there's one more corner that you hadn't counted on.. I have two more quilts in the pile, with the bindings prepared, but I found another two in the spare room, so it's like I'm running in place. But I'm still enjoying myself, so I'll just keep on with the finishing off. This is what I will be doing tonight. I just love Malcolm In The Middle, and bought myself the first series on DVD. Lois is my hero; what a woman! Even when life is utter chaos she never fails to win; I want to be like her when I grow up. If I had children like hers I'd be in a corner with my pinafore over my head. I imagine most mothers with multiple sons can identify with what she goes through. For my part, my son has never caused me any trouble; my daughter bears a strong resemblance to Angelica from the Rugrats.... Sheila asked about the way I do the images of my quilting patterns. I edit the line drawings in Photoshop so that they have a 3D appearance; it helps people to imagine how they will look when they're quilted. The pantograph is still a simple line drawing.  Limetree happens to be one of my favourites, I did it on this scrappy bargello I made from the pattern on Bonnie's site and it came out really nice. Mereth has the quilt now, so she will have to take some photos to share. I'm off to spend some quality time with my latest sock, my DH, and Malcolm and Lois.....

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Can you remember the feeling when you were a child of running downhill so fast that your legs were out of control and you KNEW you were going to fall over and yet you couldn't stop because gravity and momentum were carrying you onward?? That's how I feel now, sewing crazily in every spare minute, not even stopping for coffee, and as soon as something is done I just start on the next thing.

But there was also a feeling of euphoria when you made it to the bottom of the hill unscathed and ran yourself to a stop or fell over in the grass shrieking with laughter. It didn't always end in tears.

It's the coffee thing that has me worried.... That is so out of character.

I've been sitting up late at night sewing, which is how I managed to get 14 blocks finished. I know I said I was going to kit these up, but I got carried away, and now I'm planning to cut out another quilt and I will most definitely make those blocks into kits. I promise. I am still elated at how much fabric I've used up in the last few weeks, and I want to keep on cutting.

As I sit by the window, with the cool night air flowing in, I can smell the Star Jasmine that is flowering in the front garden. It's so strong the air is saturated with it, and it's a beautiful companion to my late hours. I love plants like this, that will tolerate all the neglect I dish out; I enjoy my garden, but sometimes there aren't enough hours in the day to look after it all.

There was a new fragrance this afternoon; this Bush Apple, which is a type of eucalypt. It's covered in these 4" puffball flowers, and they're full of nectar. The smell is different from the jasmine, and stronger in the daytime. No matter what time I sit and sew, there is a wonderful scent. I'm quietly grateful.

Another thing I'm enjoying is these pins that I picked up on my last trip to the patchwork shop. They are so Cute! Too robust for pinning my patches together, but great for pinning groups of cut fabric. It was the little blue bows that got me; we had hair clips like that when we were kids....

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My blocks are proving fun to piece, and I'm deliberately trying to make them all look different, even though they are all the same block. The technique I'm using is one I teach in my Colour Sampler workshop.

I choose a block that can be coloured in a variety of ways, and select a FQ for each block I want to make. Then I cut all the peices for that block from each FQ. The whole quilt is cut out at once, which makes it ideal to do as a kit. Then I can sit down at my leisure and play with all the pieces like a giant jigsaw puzzle, deciding what will go where. I've made 6 or 7 of these, and it's still one of my favourite ways to build a quilt.

It is such an effort to make this sort of quilt without a system, there are so many decisions about what to put where and then you have to cut the fabric after you've decided where to use it. With this method all the fabric choices are made at the start, there are no decisions to make about what to cut, and the blocks are built once all the hard preparation work is done.

Another thing I like is that I end up making blocks that are far removed from my usual safe choices, purely because I've used up all the safe variations and I have to do something else with the remaning bits. Each fabric will only show up in the same place in a block once, which adds lots of variety. Currently my favourite block is the bright pink one in the lower row; I'm not brave enough on my own to place those fabric like that. However, once I got to playing around with the pieces I decided I liked it a lot!

We always have great fun when I teach this; everyone is surprised by the possibilities and the different blocks they can make. The hardest thing is choosing the fabrics at the start.

My problem now is that I want to finish them all straight away, and that wasn't the idea at all. What about my kits! Next time.....

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I've been reading on the Stashbuster list about vanloads of fabric, and someone who gave away 600 yards. I wondered what that would look like, so I grabbed two drawers of fabric and measured what was in there. This, my friends, is what 50 metres of material looks like. And it fits easily in two of my plastic drawers. I have 32 of those, and some are packed so tight it's a struggle to get anything in or out. I guess I have to admit tht I have a Lot of fabric, but not as much as some people.....

In an attempt to use up some of said fabric, I cut out 24 12" blocks for a new quilt. Each block uses more than a FQ, so I was gleeful that I'd used up 5.5 metres; then I realised that there are the equivalent of 10 similar quilts in that stack of fabric alone. At times like that I need to have a cup of coffee and sit in a corner trembling slightly.

The odd thing is that I would feel lost without my stash, so I could never get rid of it; I just wish it were better housed and I could use it more.

I have no idea of the name of this block, it was just drawn out in my graph book, complete with cutting chart, so on the spur of the moment I started cutting. There are 57 pieces in each block, and it takes a while to piece. I think I was a bit dismayed at how quickly I finished the Grey Havens top, and I won't be finishing This in a hurry! I'm a bit partial to red and green and cream right now, and it makes a change from the darker blocks I've been working on lately.

I don't need to do this all at once either; it's all bagged up neatly in little sandwich bags waiting for me to get round to it. I love kitting quilts up like that, and I aim to make one kit a week for the next month. Then when the hot weather comes and I have to stay in the A/C I can just pull out a kit and work on it.

DH is away for a few days, and we're living like gypsies, eating whatever we like, staying up all hours of the night and (this is the big thing) in control of the TV! I have not had to watch a single car being 'tricked out', or witness a workshop fight between two bearded prima dons (is that the masculine form of prima donna?) and it's been a huge relief.

DH likes me to sit and watch TV with him at night, but if I didn't have my sewing or knitting I would be climbing the walls. It's not even boredom; those shows just get me so angry and frustrated because I don't believe in any of that shallow claptrap. I can't believe that you will have a better life if someone steals your car and paints flames all over it as a treat for you. And even the interesting parts like how they fabricate the pieces is spoiled by the posturings and poutings and simulated crises "Oh no, there's a world wide shortage of charcoal grey metallic pigment paint.." "The engine is touching the firewall, how could that have happened!!!" The rubbish outweighs the interest for me, but DH likes to see the car at the end.

Meanwhile, on other channels that he flicks over to in the ads, are fascinating documentaries on lions in the Serengeti, Animal Hospital, art museums in Prague, folk music, and plastic surgeries of which I will never know the outcome! It's a good thing I have my knitting......

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I spent my sewing time last night making these; 5 bindings for the quilts in the stack. That's at least 2 1/2 metres of fabric there, so I've certainly busted some stash in the last two weeks. It's a good feeling. I have yet to make the hanging sleeves, but that will take another 2 1/2 metres of fabric too. Sadly, there's never a dent in the stash, the rest of the fabric just breathes out and fills up the space.

I finished the blocks for the Grey Havens quilt, and set them all together. I'm really pleased with the way it looks, and I will put the border on some time today and get it finished. Then I'm going to baste it and machine quilt the main seams; that will stabilise it enough so that I can hand quilt the black blocks at my leisure. I haven't decided yet if I will do traditional handquilting, or a large stitch with black perle cotton. The quilting won't show up particularly well on such dark fabric, so it's no use putting my best stitches into it.

The materials I used to make this block were reeaally old. The centre block is a scrap from a dancing dress Meredith made when we were 16. We used to go to all the country dances, wearing floor length dresses with enormous flared skirts that floated out when we waltzed. This particular dress was divine, and I love that fabric so much. But Meredith chose it first, so I couldn't have it.

One of my dresses was 15' around the hem; I scandalised Mum and everyone else by hemming it on the machine. All hems were done by hand, thank you very much!! But I figured I'd just keep moving and no-one would be able to see what I'd done...

Another fabric in this block is from a dress I made when I went away to join the Royal Aust. Air Force in '77. The list of requirements stated that I needed 3 dresses for attending the Mess each evening. I duly purchased this material and made myself a dress; it came to a sticky end. In Darwin I left it hanging on the clothes line for a week, because I was rather distracted by a certain person (later to be my DH). By the time I remembered to do my chores the dress had faded to a pale rag in the tropical sun. So I'd better keep this block out of the sun.

The other block is made from a brown paisley that was popular in the early 80's. I used up every last scrap in this block, but I'm fine with that. There are other brown paisleys now, but for a long time there was no fabric to compare with it. I treasure it.

And then when I was cleaning out a cupboard I found this sampler, started when I was 15. I can't even remember where I got the quotation from, but it struck a chord with me then, and still does now. I'm trying to find the chart so I can finish it.

The quotation reads "Many a heartache has been buried in the growing petals of a silken rose, and the sharp edge of sorrow dulled by the sweet calm monotony of a shining bit of steel."

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I'm still feeling a little buzz of accomplishment at having done so much sewing last week. Probably some of you think that because I make my living from quilting I have loads of time to quilt. I don't. I spend a lot of time at the computer doing business stuff, filling digital orders, answering questions; then I also spend a lot of time mailing out orders, running to the post office and the bank, running my son around to where he needs to go. Right now I'm designing my catalogue, which is taking a lot of time and energy and isn't even near done.

I'm not complaining; it's what I love doing, but it adds up to more than an ordinary working day. I tend to fit the sewing into strange pockets of time like just before the evening meal, or early in the morning, or late at night. My DH goes to the pub for dinner twice a week, and I spend those nights at the machine, sometimes for 5 hours straight. I feed the boy, and then I'm free to do some intensive stitching.

I think my finishing jag last week was a result of frustration that I never get anywhere, never have anything to show for all my efforts. I was grimly determined to get those UFOs out of my sewing room and off the guilt list. And I did! But the 9-patch was the final flourish; I walked away from the machine thinking I'd rather clean the toilet than sew another border!

The eight 1" borders on the Roman Stripe were sewn together into one larger border, and then joined to the quilt and the corners mitred. That was the easiest way; I don't mind all the joining of strips, but I hate man-handling the whole quilt. I only had to do four seams with the whole quilt involved. Incidentally, that border used nearly 2 metres of fabric, which is quite astounding. There's a lot of fabric lost in the seam allowances; great stashbusting border.

I make a folded mitre and then handstitch the edge down later; can't be bothered trying to machine sew that pesky seam, and by handsewing it I can make all the seams match perfectly.

The Roman Stripe I will quilt on my Janome, just plain ditch-stitiching. I love plain quilting sometimes, and I just want that quilt textured with no quilting showing. It doesn't seem too big to do myself, so I will try to fit tht in sometime soon.

The single Irish Chain will be quilted with this pantograph, Clover Meadow; it's my favourite of all the new releases I did last year. It will live on our bed during the summer months.


The blue-green quilt will go on the panto pile for the next time I visit a friend with a longarm. I really like pantos, I like the overall texture and pattern.

The 9-patch one, who knows. I haven't even thought that far; it can just sit with the pile of other tops. There are about 15 of them, folded neatly with their backings and just waiting for me to get round to them.

And I think I need to turn my attention to the pile of quilts waiting to be bound. There's 9 of them at the last count. Even if I made all the binding it would be a huge step in the right direction.

First one will be this scrappy blue 4-patch that I made last year. I decimated my ho-hum blues with this one, really cleared out the pile. Which can only be a good thing.

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Some strange madness overtook me yesterday, and I spent 8 hours sewing this together. It was a UFO from 4 years ago, and it suddenly seemed important to get it finished. So I went without meals or coffee, and stayed at the machine, sewing, sewing , sewing. Those strips for the border seemed endless.

I love it!! It was such a struggle to keep the colours dark and rich, the light fabrics kept wanting to creep in. But I persevered with it, ruthlessly rejecting all the pretty pale fabrics, and going for the darker ones. It's outside my normal colour range, but it looks antique and that's what I was aiming for.

Then, to fill in a few hours today, I put the borders on this, another UFO from 2 years ago. The borders in this are the only fabric I purchased; all the rest was made entirely from scraps from my friend's mammoth scrap box. It was a lot of fun going through all the bits and pieces to start with, and sorting out all the blues and pinks and shirtings. Most of them are scraps from the backs of quilts that she did for customers, so this actually represents dozens of quilts. Mind-blowing.

I'm pretty chuffed about finishing 4 UFOs in one week, that's probably some sort of record for me. I have 7 spare baskets in the sewing room now, and the clutter is gradually disappearing. I finally feel like I'm getting somewhere.

These are a little bonus from the single Irish Chain top that I finished; 77 4-patches, ready to be included in another set of blocks. I want to use them in a larger block, but I haven't decided what block yet, or what colouring. I'm just glad I got busy and sewed them together straight away; when inspiration strikes they will be ready to use. I will whip up another 3, and there will be enough to use in 20 blocks as corner units.

Maybe my next project will be to go on with this paper-pieced Square In A Square that I started last year. I'm using a lot of deep, dark blues and navies, and I like the idea of that green for a sashing. I think darks are becoming my 'thing', I keep getting drawn back to them in between other quilts.

I will have to tidy up the sewing area tonight, it's a bit messy after all the frantic sewing. Then I will leisurely choose the fabrics for the last blocks for the Grey Havens quilt, and sew them together in a more contemplative frame of mind. I've done enough speed sewing for one week.

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It seems I only have time these days to either blog, or do something interesting to blog about. I need to find some more time in each day, or try to set a time each day to make a blog entry.

There has been sewing, much sewing, at my house. I made a supreme effort and finished another huge top that has been languishing in the sewing room for well over a year. I got sick of stumbling over the three boxes of fabric set aside for it, and the baskets of pieces already pieced and the drawer containing what I'd done. So, after three mighty sessions, it's in one piece and all those fabrics can be put away and the leftovers dealt with. And this top will join the pile waiting to be quilted.

I do love this; it's for our bed in the summer, so I wanted it to be light and pale and fresh. It's so pretty in real life, yellowy cream and rusty pink. I wanted it to be muted, because I plan on making a more strongly coloured quilt to keep folded on the foot of the bed, and I wanted this one to be like a backdrop for the other quilt. I haven't designed the other quilt yet, it's just an idea in the works.

The other picture is a quilt I was working on two years ago, a love affair with brown and pink. Don't know what will happen with the border yet, and I haven't got round to seriously considering it. But if it's hanging on the quilt rack where I see it every day then something is bound to occur to me.

I don't normally name quilts, but my mourning quilt is going to be referred to as Grey Havens from now on. (It's a Lord-Of-The-Rings thing....) I've had a lovely time digging out the old scraps I spoke of, and I'll work out the final three blocks over the weekend.


This is the block that my leftover half-square triangles will go towards. It's super simple, and will allow me to use some of my divine mid-tone reproduction fabrics. I'm going to have fun with this one. And I am going to make sure it is only single bed size, I have had enough of giant quilts. I'll make two smaller ones rather than another big one! I have to learn when to stop.

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I had a lovely productive day today, sewing on my quilt blocks. I have all the half-square triangle units done, and the centres pieced. Tomorrow I will start putting the units together into blocks. I have 11 cut out, and once they're finished I will lay out the 22 blocks I've done and see if I need another colour to make it come alive. I'd like to do some red ones too, but I'll wait and see what the overall effect is like. I'm enjoying the blocks so much though, I don't think I'd mind if I made a few extra.

I have the setting squares cut, and some of the setting triangles. The grey fabric I bought on Friday is just perfect, so I need to go back and get another metre. The border fabric is one I"ve been resisting for ages, telling myself I didn't need another black print. But as soon as I thought of using it in this quilt it became acceptable to buy it. I just love the way the triangle fabric and the border look together.

The black setting squares are a fabric I purchased on my honeymoon 20 years ago. We stayed at a little town called Childers, and I wandered into the general store and found this print. It was most unusual to find nice fabric suitable for patchwork back then, and it was only $1.95 a metre, so I bought it all. This is the last of it, but what a significant quilt to use it in; I'll be thinking of lots of things as I quilt this one.

I have a little stash of very precious scraps, some as old as 25 years. I will find them tomorrow and see if I can use any of them in this quilt. They are from the days when Mereth and I used to trek to a neighbouring town to the only patchwork shop in the district, where for 20 cents you could fill a bag from their scrap bin. We treasured every bit of fabric we could find then, and sewed everything by hand. Times have changed.

One piece I'd like to include is a shirting we bought the day before my wedding. We were in Brisbane , and had gone to the city centre to collect a hoop skirt from the wedding shop. It was an essential item, as I was wearing my friend's wedding dress, and she's 6'1". I'm 5', and the dress was lace, so all we could do was run vertical gathering threads at intervals around the hem. That shortened it considerably, but the hoop skirt was needed to lift the dress up to clear the ground.

Of course Mereth and I went to Gardam's , a famous fabric shop, first. We were in heaven, choosing a dozen patchwork fabrics to buy. Then we both realised at the same time that it was 15 minutes till the shops closed, so we had to run all the way to the wedding place to get the hoop skirt, clutching our bags of fabric. But it was worth it.

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I actually finished a top today, first one for months. It just needed borders, and I was sick of moving it and the border fabric from place to place in the sewing room. Now it can be folded up and stored with all the other completed tops. It was meant to be a large single bed size, and the thing grew until it fits my QS bed easily. I still can't work out how it expanded to such a size without me realising it. I've had quilts do that before, but I had an inkling that they were larger than I planned. I guess I just got enthusiastic on this one, and didn't add up any of the measurements. I was trying to use up a swag of blue and green prints that I didn't want in the stash anymore, but liked too much to throw away; I must have just kept cutting until the fabric was gone. But I like it, and it will go nicely in our blue spare room.

The pink quilt is one I gave to Mum for her 80th birthday 4 years ago, and was on her bed until she went to hospital in July. Mum really felt the cold, so I made the quilt out of vintage flannel, with a wool batting. The flannel came from her dressmaking stash, and included some strange 70's fabric called Cesarella, which had an open weave. The batting doesn't seem to be migrating through, which is good. The colours are a bit garish, but that's what we wore back then, and Mum couldn't complain since she'd bought it all originally! If the fabric had been made into clothing back then, it would all have been worn out and thrown away by now; this quilt will last another 50 years, and keep me warm with memories too. Oh the struggle I had getting her to part with that material!!! But it was worth it.

I quilted it with freehand feathers and fillers, and it was great fun. The flannel material shows the stitches beautifully and it's very rich and tactile. I had a lot of fun with the quilting, and used variegated threads to add more interest. I'd recommend every beginner machine quilter do a small flannel quilt. The flannel is forgiving of crooked and uneven stitches, and the end result is so cuddly that no-one notices that the quilting may not be perfect.

I wandered into a sewing shop this afternoon and found that they now stock hundreds of bolts of fabrics, some as cheap as $7 a metre, which is amazing . Of course I had to buy a few pieces, especially my favourite madder print. I think I will go back next week and see what else they have; there were tables full of bolts that hadn't been priced yet. How callous of them to make it so affordable; there goes my resolve to not buy anything more. It was never going to be a no-buy month, but I have a feeling that I will be bringing home a lot more of that fabric before the end of September.

I have12 blocks made for my mourning quilt; I can't find the name of that block, but there is a similar one called Lost Ships. I know I've seen it in a magazine, so I will go through my collection and see if I can identify it. It's nice to piece, and I'm enjoying the way they come together. I cut out another 12, and I think 25 blocks will make a useful size quilt. I don't want to end up with another monster quilt that's too big, because I'd like to hand quilt this one.

Hopefully the next post will show a few blocks put together with the plain alternate blocks; I enjoy the process of joining the blocks into a top, very satisfying.

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It's good to be home again, after all the travelling I've done this year. I need to stay put for a little while and get myself organised. The whole year has just raced by in a flash, and I want things to slow down so I can catch up.

Mereth and I took the opportunity to do a little tourist drive on the way to dropping me off at the airport. We stayed the night in a town where we used to live, and went to all our old haunts. Everything has changed so much; I feel quite old. This photo is two seals chasing each other across Encounter Bay, at Victor Harbor. We were thrilled to be able to watch them playing. We lived at Encounter Bay 25 years ago, and it was a freezing place. There is nothing between it and Antartica except lots of ocean.

The picture of the wall is a building in the railway yards at Victor. I love that brown stone, and the design just cries out to be a wool quilt. Another picture to add to my Stone Wall collection.

The landscape is on the way to Murray Bridge, with the sun setting on a rain-drenched countryside. I love the clouds in South Australia; the skyscape is often more interesting than the landscape.

I will have to spend a lot of time catching up on business stuff, but I desperately want to do some sewing as well. I will put out my blocks that I was working on before and see what I think of those. On a subconcious level I think I was making a mourning quilt, with the black setting squares, so I will work on it through the next few months. I will think of happier times with Mum, and make it a quilt of love, not grief.

Mereth's house was full of flowers, and they were such a comfort after the funeral. Every room was full of their perfume, and it was such a positive thing. I can't wait till I can have a proper garden, instead of growing eveything in pots. The photos are of a succulent that is flowering on my deck at the moment. I can see applique possibilities in the shapes and the beautiful colours.

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My camera is being an absolute twit and draining the batteries, so I will have to revert to saved photos. This quilt is one that I made for DS Rhys, when he was 15. When I offered to make him a quilt he flinched and said 'No thanks!' So I explained to him that I would not use florals, or anything pink, and that he would have the right of veto on any material. He gave grudging permission. Hmm, no florals.... I had to shop severely for this quilt, and buy fabrics that weren't me at all. And I wanted it to be a dark quilt, as his last quilt ended up with a lot of grubby marks. Of course, I hadn't counted on the two grey cats sleeping on the quilt every night.... But it turned out very well. One nice little surprise was the black material I used throughout the blocks, and as a small inner border. Unbeknownst to me, the small stars on it were glow in the dark paint. It was only after the quilt was finished and on his bed that we discovered that. How cute! The pattern is the same one I used for my scrap blocks; it also made enough blocks for another quilt.... For the back I chose a heap of FQs that showed things he was interested in; cats, dogs, fish, WWII airplanes, Coke, sharks... I had a ball tracking these fabrics down. I would never ordinarily buy them, but it was perfect for the back. To quilt it, I again asked Rhys what he wanted. 'Whatever' he replied, so I designed a random quilting pattern and called it 'Whatever' It looks great on guy quilts, but I've seen it on Thimbleberries quilts too and it lookes fabulous. The quilt was finished, and presented to the boy, and it has never left his bed since, except to be washed, and once when I managed to wrest it away from him for a quilt gathering. He sleeps under it summer and winter; even goes downstairs and takes it off the line when it's been washed. I think it's a success.

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Her greatest gift was her skill in raising flowers and children. She cared for so many children throughout her life; her brothers and sister, her cousins and their children, her own children and grandchildren and then the myriad of little ones she babysat. She had incredible patience with them, and they loved her in return. Every Christmas brought cards and gifts from all the other families she had cared for.

In the garden she was happiest, planning and planting and caring for all that grew. She was in her element outside amongst her flowers.

It was a struggle to convince her to move from her family home, where she had seen 44 summers come and go. But she was getting frail, and she finally agreed to move and live with Mereth. And there we at last discovered that she had hidden her final illness from us all, preferring to deal with it in silence and solitude. She was so intensely proud and independent, she didn't want anyone to know about her cancer.

She was in hospital for 10 weeks, too long from her point of view, but such a short time for us to deal with what was happening. But we all said our goodbyes, and that was a good thing.

She died alone, peacefully and in no pain, as she had wanted. Her face was beautiful, all the lines of worry smoothed out, all the pain and unhappiness of the past years washed away. This was the face she would have had, if life hadn't been so hard for her.

What an amazing woman she was, so stubborn and proud and strong, such an incredible fighter. Fiercely loyal to all her family and difficult at times, but in the end, staring at her peaceful face all I could remember was that she loved us, that we'd never doubted for a minute of our lives that we were the most important people to her. A wonderful gift, to know you are wanted and loved and cared for. I hope she knew how much she was loved in return.

Mereth's blog

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